#Bijou jewelery windows

A selection of Chinese, Japanese and Indian jewelry is showcased in column display cases in the center of the exhibition space. Art Nouveau is represented with some outstanding pieces by RenГ© Lalique, Georges Fouquet, Lucien Gaillard and the Maison Vever, while designers such as Raymond Templier, Jean DesprГ©s, Jean Fouquet and the great jewelry houses of Place VendГґme, Boucheron and Cartier, illustrate the Art Deco era and the 1930s. The display begins with jewelry from the Middle Ages and Renaissance, and continues with some beautiful 18 th-century pieces and a wide range of 19 th-century designs from the collection donated in 1924 by the jeweler Henri Vever.

#Bijou jewelery windows

The jewelry pieces are showcased behind large glass windows that completely cover the gallery walls. The two spaces are linked by a glass footbridge spanning the area above the museumвЂ™s entrance hall. The first space contains the collection of antique pieces the second houses the contemporary collection. The gallery, designed by the architect Roberto Ostinelli, occupies two exhibition spaces on the museumвЂ™s second floor, on either side of the grand staircase. Organized chronologically, the exhibits include rings, necklaces, bracelets and brooches, alongside a presentation of jewelry-making techniques.

He continued working with other fashion brands after that and completed some interior design commissions for several French hotels as well.The Galerie des Bijoux at the MusГ©e des Arts DГ©coratifs features a display of some 1200 pieces that provide an exemplary overview of the history of jewelry from the Middle Ages to the present day. After changing hands in the mid-2000s, his final haute couture collection (which he personally financed) hit the catwalk in 2009. The pieces were very nicely made with quality components, and the designs were sometimes a departure from MonetвЂ™s general lines in stores at that time.Дespite exhibiting passion and talent, LacroixвЂ™s fashion house continually lost money. In 1995, Monet began producing jewelry for Christian Lacroix that was then marketed in high-end department stores. It was often oversized and colorful, and he incorporated hearts in his work quite frequently. Jewelry designed by Lacroix was very stylish and more versatile than some of his clothing designs as the pieces were more easily paired with tailored wardrobes of the 1980s and вЂ90s career woman.

In 1989, he launched a line of accessories to accompany his clothing, such as shoes, sunglasses, handbags, and scarves, as well as costume jewelry. He introduced ready-to-wear lines in 1988, some of which were not practical for the working woman but interesting, nonetheless. LacroixвЂ™s study of historical fashion was reflected in many of his runway collections featuring corsets, poof skirts, plunging necklines, and the like.

He studied art history and historical French fashion, which culminated in a museum studies program at the Г‰cole du Louvre just before opening his fashion business. Before that, his ambition was to be a museum curator.

Christian Lacroix established his own couture house in 1975.